Watercolor in blue tones with a city view and long shadows.

Ola Gustafsson · Watercolor painter

Variations in Watercolor

I mainly paint landscapes and urban environments in watercolor.
I build the images with simplified tonal values and deliberate edges—and leave the rest a bit open.

Artist statement

About My Painting

I paint watercolor landscapes as a way to translate lived moments in nature into light, atmosphere, and rhythm. Working from my own photographs of Nordic surroundings, I simplify the scene into clear value-shapes and let edges shift—soft, hard, and lost-and-found—to create presence and depth. My process balances surrender and structure: I invite the medium to move, then refine what matters, aiming for paintings that hold a quiet sense of being part of something larger.

I’m inspired by artists such as Ylva Carlgren, Olafur Eliasson, Anish Kapoor, Marc Folly, Trevor Chamberlain, Richard Thorn, Nicolas Lopez, David Lidbetter, Andy Evansen, Harry Brioche, Nita Engle, and Mitchell Albala. What they share is a painting practice that moves between control and dissolution, structure and flow—the balance I’m chasing myself.

In my day-to-day work, I’m a visual communicator at the Stockholm School of Entrepreneurship, which has made me quite strict about composition and simplicity.

Portrait of Ola Gustafsson
Ola Gustafsson painting outdoors in Sandemar.

Project

100 Days of Sun

In the summer of 2025, I carried out the project 100 Days of Sun. Every day I took a photo of the sun in the moment and painted a small watercolor (18 × 26 cm). Each painting was allowed to take a maximum of 20 minutes. The project became a way to practice quick value judgment, presence, and consistent work over time. Something I quickly became aware of was timing and how much or how little pigment I had in my brush.

Montage of all 100 sun images from the project 100 Days of Sun.

Example from the series

Colorful sunset in July
Storm clouds obscuring the sun. Blue-grey, violet and gold.
Sunset in warm orange tones.
Sun study in blue-gray and gold.
Colorful close-up of Ola's palette.

Material

I usually paint on Arches 300 g fine, Arches 640 g rough, as well as Baohong 300 g rough and satin.
The paints vary between Daniel Smith, Winsor & Newton, Schmincke, Sennelier, and Old Holland.
Some brushes I often come back to are Escoda Perla, Korean Eo eo, Princeton Nautilus, and Chinese calligraphy brushes in various sizes.

Inspiration

I am inspired, among others, by Ylva Carlgren, Lars A Persson, Nicolas Lopez, Herman Pekel, Nita Engle, David Lidbetter, and Mitchell Albala. What they have in common are painters who move between control and dissolution, structure and flow—the balance I myself pursue.

Contact

Get in touch!

For exhibitions, collaborations, or questions: feel free to send an email or message on Instagram.